Audio Visual Performance
Touching Kiwa
Co-creation of Panorama Projection and Hamon Performance
Tomoko Mukai / Sachiko Nagata
“Touching Kiwa” will be co-created as a collaboration of a spatial projection by Tomoko Mukai
and sound performance with iron slit drums named “Hamon” by Sachiko Nagata.
As a note on the “Hamon”, it is an original instrument produced by the Japanese iron sculptor Teppei Saito.
Saito was inspired by the sound of water drops created by the Japanese traditional garden ornament “Suikinkutsu”.
“Hamon” is written with the Chinese letters “the sound of wave patterns”. Its pronunciation itself means ripple.
This performance will be held in the auditorium of Bunyukaku, an eco-building of the Tochoji-temple,
recognized as the world-first passive house of temple architectures.
This performance consists of a panorama projection and Hamon sound performance.
Its spatial experience through images of wild nature and “constructed nature” from across the globe
will emerge like encountering distant nature
as if travelling between real and imaginary landscapes.
The whole-length performance can be viewed only by recorded video streaming between July 20 and August 18.
At the venue, the 40-minutes viewing of a looped audiovisual installation will be available, and 20-minutes live performances will be held several times.
〈 DATE 〉
August 19 (Thu), 21 (Sat) and 22 (Sun), 2021
Installation with panorama projection and Hamon soundscape
Hamon live performance in the Installation with panorama projection and Hamon soundscape
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July 20 (Tue) – August 18 (Wed), 2021
Recorded video streaming of the whole-length Hamon sound performance in the panorama projection
〈 LOCATION〉
Auditorium, Bunyukaku, Soto Zen Tochoji Temple
Address|4-24-3 Yotsuya, Shinjuku-ku, Tokyo
Access|7 min. from the exit “Okidomon”, Shinjuku Gyoen Station, Tokyo Metro Marunouchi line
〈SCHEDULE〉
July 20 (Tue) – August 18 (Wed), 2021|Recorded video streaming of the whole-length performance go on sale from 10:00 AM on July 10 |
Tomoko Mukai|Panorama Projection Sachiko Nagata|Hamon Performance *The whole-forty-minutes-length performance can be viewed only by recorded video streaming. *Streaming ticket is valid for the repeated viewing during the streaming period. |
August 19 (Thu)|Installation with panorama projection and Hamon soundscape|The viewing at the venue go on sale from 10:00 AM on July 17 |
Auditorium, Bunyukaku, Soto Zen Tochoji Temple ①14:00〜|②15:00〜|③16:00〜|④17:00〜|⑤18:00〜|⑥19:00〜 Tomoko Mukai|Panorama Projection Sachiko Nagata|Hamon Performance *On this day, only the audio-visual installation will be open to the public. The soundscape will be used with recorded Hamon performance. *There is a 40-minute changeover system for each session. * Each session is reserved for one group (1 to 6 people). |
August 21 (Sat) and 22 (Sun), 2021|Installation with panorama projection and Hamon soundscape and live performance|The Viewing at the Venue go on sale from 10:00 AM on July 17 |
Auditorium, Bunyukaku, Soto Zen Tochoji Temple ①13:00〜|◆②14:00〜|③15:00〜|◆④16:00〜|⑤17:00〜|◆⑥18:00〜|⑦19:00〜 Tomoko Mukai|Panorama Projection Sachiko Nagata|Hamon Performance *On these days, there are two types of sessions; the audio-visual installation with and without Hamon sound performance. *In the session for the viewing of only installation, the soundscape will be used with recorded Hamon performance. *There is a 40-minute changeover system for each session. *Each session is reserved for one group (1 to 6 people). *In the ◆②④⑥ sessions, the twenty-minutes Hamon sound performance will be held in the forty-minutes installation. |
*There is no parking space in the venue. Please use public transportation. *Please wear a mask to protect yourself from infectious diseases. *We will take your temperature *Please disinfect your hands before you enter the venue. *We recommend that you arrive early. *The number of tickets sold may end up being less than the planned number depending on the spread of COVID-19. * Please check the website on the day of the event. |
〈 TICHET 〉
Reservation
The viewing at the venue go on sale from 10:00 AM on July 17 |
Installation with Hamon live performance | 7,200 yen Installation only | 6,000 yen *Each session is reserved for one group (1 to 6 people). *please note that there may be one or two management staff in the room with you. *If you wish to view the public talk, please purchase a ticket for “At the Kiwa”. |
Recorded video streaming of the whole-length performance go on sale from 10:00 AM on July 10 |
Streaming| 1,500円〜(support tickets) *If you wish to view the public talk, please purchase a ticket for “At the Kiwa”. |
*After purchasing tickets, we will not be able to refund your money and make any cancellations. However, you can “transfer tickets” to your friends on peatix. Please use it in that case. *The tickets for the outdoor performance “At the Kiwa” for the venue and streaming are valid for the online public talk. If you view the public talk, please purchase a ticket for the performance “At the Kiwa” *If you are planning to come with a wheelchair or guide dog, please contact the organizing committee in advance for smooth guidance. *Please note that there may be some changes depending on the future spread of the infection. Please check the website. |
〈PROJECT STAFF〉
Creative Director / Spatial Projection |
Tomoko Mukai |
Sound Composition /Hamon Performance |
Sachiko Nagata |
Art Direction |
Yuri Yoshida |
Programming |
Ryoji Murata |
Video and Projection Engineering |
Hiroshi Kanechiku |
Construction Plan |
Taiki Tamamura, TOKYO STUDIO CO., LTD. |
Videography |
Kazuomi Furuya /TakuArai / Erika Kondo |
Photography |
Taisuke Yajima |
Production Management /Editing |
Minori Shimazaki |
Production Management / Public Relation |
Miki Osawa |
Planned and organized by |
The Executive Committee of KIWA Project |
In cooperation with |
Soto Zen Tochoji Temple Hibikinada Biotope NS Wind Power Hibiki Co.,Ltd |
Supported by |
Arts Council Tokyo, Tokyo Metropolitan Foundation for History and Culture Japan Arts Fund Nomura Foundation The Asahi Shimbun Foundation ‘GBfund’ Disaster Recovery Support Fund” of the Association for Corporate Support of the Arts |